Chronicles of the Dusk Ages III – Beliefs and Customs of Feathermen

Virididerms with drawn faces from places you and I cannot place on any map

Their mountains formed by ruins marking our world’s devastation

They believe in diminutive elder races, first to walk the face of the earth

Their faces were turned from Sol, they never returned from their subterrene halls

Beneath the mounds, centuries sleeping, the thorny trees which they held sacred are best avoided

Naked save for flapping rags hung in thanks

Leaking tankers blackened the lake for a millennium

Descendents of ants and plant men without genitals living in tent cities

Psychedelic book of genesis littered with contradictory tenets

Almshouses empty of deeddoers in a vast everafter under Antichrist lash, after the rapture.


Revelation of the kind which turns Lovecraft protagonists pale and eventually insane

What hear ye of the feathermen of the highest reaches

Whose flaxen heads are sun-bleached, who teach their sons bird secrets

Who watch birds beak-preening and mold their flesh to that appearance

Flensing and fitting with apperatus the faces of their sons and daughters

Who might be slaughtered as offerings to an exalted Sun God should crops falter

Blood on sun-abandoned shining Sinandonny’s altar and surrounding mortar.


They suppose in ancient time their leaping posts

Which they pose upon before taking flight, served ulterior purpose, though it is unknown to them

Questions we pose they propose also, had aliens some hand in us

Had the change from animals to us been gradual or quick as a dagger thrust

They know only the harshest and most brutal justice, oft swift

High priests pile high the tribe’s lucre, perceive the future

In the past, studying relics of the last ages whose surpassing technologies must have created the Blasts

The feathermen are wiry and wily but illiterate, technologically incompetent and deliberately obstinate

They are checked by a thirst for word of the old world, they will submit to masters to taste ashes, teasing out what they were once

They wish to be worthy of it again, whatever it was.


Surrounding lands are subject to their law

Where their winged troopers land, a flag is planted

Rival oblasts are taxed heavily or blasted by fantastic cannons

Slaves are put to the lash

They will spend miserable hours fashioning from gold and stone scenes from the oldest story of Sinandonny’s tutelage

The breaking wrists please the raging gods of this broken realm

Oblates pray by day and spend nights constricted by odalisques

They suspect something about a sightless energy once harnessed, which arced between obelisks which were laid in a grid

Albino walls leached of pigment trigger memories of old Iberia’s sunlicked wide ways

Orpiment sun like an experimental opal, doped by the solar lull, the wit-dulling thud of lady sun’s branding cudgels make curmudgeons of the lovely

Coal-black their antient flight suits, which they had removed from ancient tombs

Knee-high boots one cannot stoop in.


Flyers get high before flying, skulling back a black concoction near impotable paints the gullet

The impossible becomes possible, even probable

He cannot stop spitting

Bitter, bile-ridden spittle gutters out through a gap between stout beak and snout

He tosses back his head

Toplit mask adopts sinister aspect

He fans his arms and his clinking wings sink, settling slowly like an excommunicate in a bagnio

Metal feathers as clothe Athena’s clockwork owl span his back and arms

He casts an alarming lamashtu shadow

By such cunning devices can entire assaulting armies be held at bay, or halted entirely, on the steep slopes where even goats falter

Several seconds later their mind implodes, reality is pulled back and nodes ignite in grid lines like lit gelignite charges discharging, scarring marching dimarchis, all along the frontline

Looping wires like jungle vines sprout from the skullback like a rat tail or a mullet

Each seam must be faultless to shield them from the bullish aether, which loathes a falling acorn’s floating.


A skinbound psalter on an open-air altar, exalted at the ziggurat’s tip, holds the secrets of their flight science which only the applied, sage-guided wisdom of the tribal fathers can harness

No other may look upon it save he who triumphs in their trials, he who has seen and survived the wiles of the woman in the hall of strange dials

The pyramid toe to tip slippy with blood rich in infidel cells from the severed heads whose death empties cells

Peasants armed with blood-rusted axes follow in the tracks of the slave carts which journey from the mountain ramparts to the human market at Deloapis, where an idol to the Bronze Bull of Apis with eyes of lapis lazuli and emerald-lined thighs, and a spine etched out in gold as a boon to divine eyes

Strips of votive flesh sold as relics, latent gifts ‘long to the dead

Even a skinless head the flesh fed to crows knows things a living man cannot

They greedily jam limbs into gore-crammed foetid burlap sacks

Flensed arms hang like drying pheasants on door jambs

The rude are defied and the tenacious are brought to the sky and let fall

Its steps slickened by copious bloodletting,

Priests in motley vesture blistered by a sleepless sun.


They say once the world’s richest lived there

Vast ditches and manmade embankments once the walls of deep bank vaults serve now as defensive ramparts 

Sealed tombs topped by turrets from which escape odd currents, strange occurrences thereround occur

Word as currency

Lazarets in which suffering fluxed degrade to pleurisy

His family say there is no better place for him to be than the pesthouse

Even rats do not go there, avoiding its pestilent air

Puzzling scars marking salt’s far advance in lands long sealess.


They leap from lofty peaks

The heavy beaks they wear for life distort speech

To a theremin-redolent choir of shrill android noise.


Have you visited the terrapin men on the isles of merriment

Many woozy evenings I have spent, to my detriment, filling my head with their gaseous stories

Have you visited the dawn age men in cold storage, storeys of cryopods adorned in glories like a wall of cameo daguerreotypes as some forgotten war’s memento mori

Have you visited the cenotaph atop a sea stack

A raft brings you out there, a man-rat in the guise of Charon helps you onto an odd boat which floats above the water

Ropes like root systems dangle from the underside of the floating islands, their striking aspects

Sky highland coloured, latticed by railgun slugs to start the evening proceedings.

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