Hephaestus of the lean-to, the villages hammydown armours seen to
As if they were Pope’s robes purple as peacock’s tail fanned like a winning hand to mock the downy cygnets, parading that office
He mends lockets, shoes oxen, builds strongboxes, tests locks, ensures a sword’ll knock through an enemy’s props and drop him
He beats dents from bent gorgets on his blackened forgetop
He mends runnels along a gauntlet a Saracen knife tried to flense
He has fletched arrows with goose and turkey feathers which flew
In front of the sun over Jerusalem, slamming into Saracen shields
He had heard of Damascus Steel, how the light caught their gospel-banded blades and shone as if the sun had peeled back a heretofore unseen shield to its sheen.
The time of conversion is over
The room settles
A waterbowl atop a pedestal reserved for blessings
Font of Messiah
Which sunlight turns silver as Diana’s
Mirror, his Papal tiara resplendent as an angel’s arya in the aureate shafts
Cease of chatter natter laughter quiet comes after, chary the Fathers of their Father
The altar altered by his presence thereon, the golden monstrance like a monstrous million armed sun
He armours against the megatherion, abhorring his appearance
The cloven one is heinous, our prayers honour the increate
He stares to the ceiling, his hands appealing for appeasement
These Saracens, their lease on the Holy Land has ended.
The official version of the Bible is settled
The pen the page
The Word the metal
The wisest Virgin closest to God in a throne averse to violence strides the stage in silence
Attendent the flipside of all alliances, all ties and called in tithes, thrones from which rise the armies of demise
He wears the robes of a miser, the mitres submit to his might and divine right, solemn rite
This night the battle lines are decided, the forces divided, the hosts defy the right
To life of the eastern side, they send out 12 spies to seed lies about their coming
Drumming keeps the time of their oars, warlike driftwood bound for foreign shores
The struck drummond rumbled, the rum barrels tumbling in the wavestruck brig, frigates
Clinker built and tide-jousting triremes with wide beams for flapping sails cream the oceantop
The crop’s cream lopped by the scythe, the blood greases and eases the tide, Homer never lied
To speed those crafts, a King’s daughter must die.
They have no conversions but troops converge on besieged Damascus
Unmasking the unworthy, ashes and death in their tracks
Pale as wax the pallor of the once-living and apple cheeked quieted laughter and empty ages and aeons thereafter
No names are exalted, the crop ground of the croppy boy and the peat bog soldier is salted
The statues are assaulted, limbs chopped off at the order of the exorderers, their sworn exords
Sworn to defend order against froth-lipped rabid and natural disorder
Mercenaries from the borderlands are recalled and armed with holy swords
They are told to ignore the written law
An army of recorders, representatives from the Church’s most obscure orders under obscurer orders
Plunder of relics, thunder of Jove, righteousness of the first order in a mailed fist
Destructive mist rising like a wraith from the catapult prey
Prayers speed their missiles, godspeed our missives
Trials and tribulations, the healthy and god-approved testing of nations
The lion is a lion and warlike by his nature, it is not always his to nurture
The Pope frees the beast in man by condoning his shapeless rage, an army of ape berzerkers
Arrive rape and battle fervent, the perverse and the pious and the piteous, the Pontius Pilates
The anxious boat pilots steer through the narrow streams between the sedgy islets
Never daring to shut their eyelids, such quantity of royal and lofty titled
Blood aboard his beloved Trident, it would not serve to deny
The Pope his violence by serving his servants to the tide, ruled by Abaia.
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